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Controlling spin in a YouTube world
This week, some members of my team and I attended a PRSA luncheon about citizen journalism. It featured Web savvy media folks from CNN, the Chicago Tribune, Backfence.com, and our friend Mark Scheffler from BusinessPOV. They talked about how news dissemination is no longer the sole domain of mainstream media.
Rather, anybody with a computer and, heck, even a modem can be a news outlet. They discussed outlets like
This was amid the newest entrant into the political fray: YouTube. Philip de Vellis admitted the other day to be the architect of the pro-Obama ad, a remake of Apple’s seminal “1984” ad. The 2007 version equated Hilary Clinton with Big Brother. Many pundits have discussed the two minutes hate against the ad’s implications and the then-anonymous author, especially because it’s become known that the company he worked for, Blue State Digital, is loosely affiliated with the Obama campaign.
The ad, employing hi-tech digital techniques (such as superimposing the Obama logo onto the hammer-throwing dissident’s shirt), has opened up a huge can of worms in the world of politics and PR.
How does a campaign control its grassroots efforts? While Obama praised the artwork, he did not speak out against the message: Obama > Hilary. Chris Cilizza of the Washington Post says it’s a viral watershed moment; candidates can no longer control the message.
Calling
One can imagine a spate of user-generated content (like this one showing Mitt Romney’s doublespeak about abortion) becoming a true player in the campaign.
And what are the larger implications for other types of PR? Web parodies are nothing new, but how can we, as PR professionals, control the messaging about clients in an unchecked environment like the internets? While ads like de Vellis’ are no doubt creative and entertaining, the implications are scary. Orwellian, almost. — Alex Parker
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