Dwayne Alicie

How Kesha Used Strategic Communications for Her Comeback

By: Dwayne Alicie | August 15, 2017 | 
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How Kesha Used Strategic CommunicationsThe summer of 2017 has been great for new music—and for taking notes on rock star tactics you can adapt to your marketing communications.

One artist has even used smart strategic communications to position a comeback album as something much greater — a triumph.

Let’s take a look at how that has worked and see how you can achieve something similar.

Kesha is Back

Kesha has been working hard for the past month promoting a new album out August 11, titled “Rainbow.”

It follows several years of relative quiet due to a public court drama.

Necessary background here—even after former Sony producer, Dr. Luke, allegedly abused her, the courts decided she must honor her contract to continue to work with the record company for six more albums.

The decision prompted public outcry and messages of support from the entertainment industry. (See #FreeKesha.)

You may remember Kesha as the raucous party pop princess who sang “Tik Tok” or “Timber.”

But Kesha has matured into an experienced singer-songwriter who wants to heal people through art.

Her team needed to communicate that to the world with this new album release.

On July 5, 2017, kicking off a rolling thunder approach designed to build momentum, Kesha surprised fans with an Instagram announcement about new music coming the next day.

The single and album announcements were followed by three more singles released weekly, and then Kesha hit the morning show circuit the week before the album release.

Not Your Typical Comeback

What’s especially innovative about this approach is that Kesha placed original, bylined essays as exclusives in feminist, music, and mainstream publications to announce each weekly music release and to position her brand.

The articles and new songs supported the strategy of positioning Kesha as a maturing, feminist singer-songwriter.

She’s still edgy and unapologetic.

She traded in her neon leotards for a pantsuit and she’s more interested in sharing experience and wisdom than singing about brushing her teeth with liquor.

The essays also positioned the album release as a personal and feminist moment of triumph, set squarely within the narrative of Kesha’s personal and legal struggles.

Listeners join Kesha in triumph over depression, eating disorders, and oppression.

The First Single and Essay

The choice of first single and essay were strategic.

Praying” talks about radical forgiveness. It’s aimed at Kesha’s alleged abuser.

The piece announcing the release was an intensely personal Lenny Letter entitled, “Kesha Fights Back in Her New Single, ‘Praying.’

Lenny Letter is a significant feminist publication started by Jenni Konner and Lena Dunham, who previously wrote about how “Kesha’s case is about more than Kesha.”

With the release of Kesha’s first essay and single, the album positioned her music as about more than the singer-songwriter.

It positioned it as more than just the next album to download this summer.

It’s also a beacon of hope and inspiration for oppressed people who are ready to fight back.

That message of “triumph” pulled through to third-party reviews of the album.

What Came Next

From there, the next weekly placement supporting “Woman,” a feminist song in its right, targeted readers of a top-tier publication of the music industry, Rolling Stone.

Then the team aimed for broader awareness with an essay on Huffington Post supporting “Learn to Let Go.”

Finally, Kesha placed an article in Mic to release “Hymn.”

The day before the launch, Kesha read a letter to her 18-year-old self in a taped a segment on CBS This Morning.

You’ll become severely bulimic and anorexic, she says. And the worse your disease gets, the more praise you will get from some people in your industry. And this will really, really mess with your head.

It’s tough to watch without tearing up a little and feeling close to Kesha and her story.

You’re gonna learn that art can heal people, she tells herself.

And that’s where we find her at the beginning of “Rainbow.”

Measurement is Critical

Except for the CBS Note to Self, the essays also provide an opportunity for analysis, a situation that good marketing communicators wish for every day.

Each article links to a video on VEVO which leads to YouTube where links to stream or pre-order wait.

Changes in traffic to these shared web properties over time can show causality.

It’s brilliant that Kesha’s high-level strategic communications work right alongside subtle demand generation tactics linked directly to sales.

What can you take away from Kesha’s “Rainbow” launch to use in your own marketing communications work?

The Power of Contributed Content

Use the power of bylines to position your executive, company, event, or offering within a new or pre-existing narrative.

First, never underestimate the power of telling your story in your own words through bylines.

Outlets are hungry for content that delivers value for readers.

Offering bylines helps editors while getting you in front of audiences.

Second, never underestimate the power of good storytelling, and never doubt there is a story to be told.

You just have to dig.

Talk to people.

Ask who makes your widget? Who designed it? Who uses it and how?

There is always a story.

Be brave as you consider risk.

If Kesha’s team had considered it too risky to lean into her story and tried to sweep it under the rug instead, this comeback would probably feel disjointed and inauthentic.

I wouldn’t have spent a morning watching her Note to Self with a tear in my eye.

Combine these, and you create a moment that will be engaging and emotional for people.

Maximize Paid and Earned Media

Consider the match between your content and the publication to maximize the effectiveness of your earned or paid media.

Make sure you pitch the right content to appropriate outlets.

But my point goes a bit deeper than that.

Note that Kesha and team chose a feminist publication to announce the album and release the first single.

The choice of outlet positioned the communications to come.

Then they chose “Rolling Stone,” a more mainstream music outlet, to release “Woman,” a song which delivers a feminist message.

Two different combinations of content and media, but the feminist message pulls through in both.

Strategic Communications Marries Demand Generation

Marry strategic communications with demand generation content—link all content to properties where you can measure traffic, and draw the audience into your sales funnel from there.

Strategic communications and demand generation efforts do not have to function separately.

In fact, they work better together.

And make sure you can measure just how well things are working.

Enjoy all the great music coming out this summer, and please share any innovative music marketing tactics you see.

About Dwayne Alicie


Dwayne Alicie is an integrated marketing communications professional in the San Francisco Bay Area. Over the past 15 years he has worked on communications at a Fortune 500 B2B technology company as well as small social justice organizations with big missions. He lives for simple Italian food and wine and to connect people to things that make their lives better.

  • Liz Reusswig

    Wow! Duane, this is a great analysis of Kesha’s reboot and her smart, authentic use of strategic communications.

    • Dwayne Alicie

      Hey thanks, Liz! I was really impressed as I watched it unfold and the strategy behind the album launch became clear.

  • I love, love, love, love this post. I honestly had no idea about this campaign and it’s simply genius. It’s smart, strategic, and authentic. I’m so impressed and can’t wait to see the results come in.

    • Dwayne Alicie

      Ahhh, those words are music to my ears — smart, strategic, and authentic. That’s the kind of marketing we should all be doing, after adding customer-centric.

      From the messaging pull-through standpoint, there was a huge success when Entertainment Weekly explicitly called the album a triumph in a headline! http://ew.com/music/2017/08/07/kesha-rainbow-review/

      • AND…as I keep hearing songs from it….she followed through with what she “promised” in the launch. Even more important.

        • Dwayne Alicie

          As far as sales (the result our top bosses are most interested in) Kesha is currently the #1 album on iTunes almost a week after launch, and Billboard projects she “is heading for a No. 1 debut on the Billboard 200 albums chart” at the end of the week ending 17-Aug. We’ll find out Sunday, 20-Aug!

  • Rebecca Todd

    Smart post. Thanks for connecting me to the world that is still happening, even if I don’t internet anymore.

    • Rebecca Amy! And girl, I hear you. I often think, “I just can’t internet today.”

      • Kimberly Crossland

        ^^ AGREED! Or, “I just can’t social media today.”

    • Dwayne Alicie

      Thank you for coming out of retirement to read this! Hugs!

  • Howie Goldfarb

    I want to just add that this is not just Kesha. She lost in court. This is her capitulating and following orders from the big money music machine. With them hoping desperately that she is still bankable after all the drama and time off. Everything written above was calculated by big time music promoters. btw great case study. Be very curious to see how it ends. I don’t like pop music (well I actually loathe it) but I pulled for her in her lawsuit. Fame is a dirty business sadly. I hope she came back for the right reasons.

    • Dwayne Alicie

      Completely see what you are saying, Howie! Man, I always appreciate your perspectives. Lately when I see marketing communications in the wild I find myself imagining the meetings behind them and the arguments for and against. I want to believe that in this case Kesha and the record company compromised after she lost the court battle, and that she did come back for the right reasons. It certainly feels like it. It feels like Sony gave her the amount of freedom she needed and followed through by hiring some great marketers to promote her work.

      I miss you, Howie!

  • Kanye West

    I made Kesha. If it wasn’t for me Kesha would be a nobody.

    • Dwayne Alicie

      I’m going to let you finish, Kanye, but what really made Kesha was when Paris Hilton and Nicole Richie stayed at her house in an episode of the groundbreaking and riveting reality series The Simple Life. From there I think it has been all Kesha and music marketing folks!

  • Kimberly Crossland

    Great insights but my favorite was this: “never doubt there is a story to be told.” So often people/businesses forget that they have something unique to share with the world, even if their experiences are similar to others (many artists have gone through lawsuits, tragedy, etc. and re-emerged from the ashes). Nothing is new anymore but that doesn’t mean we can’t talk about it in new ways. Looking forward to seeing how this all pans out.

    • Dwayne Alicie

      So true! I love what you have said here.

  • Very good case study, Dwayne! Quite a comeback from Kesha.
    Love when famous artists show strategic communication works, period!

    • Dwayne Alicie

      It’s great when marketing communications are coordinated so well that they work, and we can recognize it!

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